Rebuilding Anatolia after the Mongol Conquest: Islamic Architecture in the Lands of Rum, 1240–1330 蒙古征服后重建安那托利亚：1240-1330年朗姆酒土地上的伊斯兰建筑

这本书是对1243年蒙古人征服后安那托利亚伊斯兰建筑的研究。规则，人口流动和文化变革的复杂变化发生了多方面的影响。本书从蒙古对安纳托利亚的征服开始，到以伊朗为中心的伊尔卡尼德帝国灭亡，在1330年代结束，这本书考虑了安纳托利亚融入蒙古世界体系是如何改变该地区的建筑和光顾的。传统上，这一时期是在从塞尔柱克（Seljuk）到奥斯曼帝国的统治和建筑的更大的叙述中进行研究的，其历史学以土耳其的民族身份为重。但是，一旦在蒙古帝国的框架内对安纳托利亚进行了研究，该地区就不再孤立无援了。而是将其整合到土耳其，伊朗和高加索共和国的现代边界之外的更广阔的背景中。在此期间建造的纪念碑具有多种用途：清真寺是祈祷和集会的场所，madrasas被用来教授伊斯兰法律和神学，caravanserais为商人和旅行者提供了贸易路线。这项研究基于对古迹的详细观察，在多个重叠的层次上分析了建筑。从古迹本身，阿拉伯文，波斯文和土耳其文的书面资料以及历史照片中提取的信息层，形成了中世纪安纳托利亚伊斯兰建筑的图像，反映了该边境地区的复杂性。出现了新的顾客，工匠在邻近地区之间迁移，使用当地可用的材料促进了与特定地点紧密相关的设计转变。从这些来源开始，这本书将建筑，历史和宗教的交织在一起，以对中世纪中东边境文化的更广泛理解，结合本地，区域和跨区域身份的复杂互动。This book is a study of Islamic architecture in Anatolia following the Mongol conquest in 1243. Complex shifts in rule, movements of population, and cultural transformations took place that affected architecture on multiple levels. Beginning with the Mongol conquest of Anatolia, and ending with the demise of the Ilkhanid Empire, centered in Iran, in the 1330s, this book considers how the integration of Anatolia into the Mongol world system transformed architecture and patronage in the region. Traditionally, this period has been studied within the larger narrative of a progression from Seljuk to Ottoman rule and architecture, in a historiography that privileges Turkish national identity. Once Anatolia is studied within the framework of the Mongol Empire, however, the region no longer appears as an isolated case; rather it is integrated into a broader context beyond the modern borders of Turkey, Iran, and the Caucasus republics. The monuments built during this period served a number of purposes: mosques were places of prayer and congregation, madrasas were used to teach Islamic law and theology, and caravanserais secured trade routes for merchants and travelers. This study analyzes architecture on multiple, overlapping levels, based on a detailed observation of the monuments. The layers of information extracted from the monuments themselves, from written sources in Arabic, Persian, and Turkish, and from historical photographs, shape an image of Islamic architecture in medieval Anatolia that reflects the complexities of this frontier region. New patrons emerged, craftsmen migrated between neighboring regions, and the use of locally available materials fostered the transformation of designs in ways that are closely tied to specific places. Starting from these sources, this book untangles the intertwined narratives of architecture, history, and religion to provide a broader understanding of frontier culture in the medieval Middle East, with its complex interaction of local, regional, and trans-regional identities.